patchable 0006

For this Patchable you are challenged to create an extended feedback patch.  In its simplest form one could accomplish feedback by plugging a module output back into one of its inputs.  This creates a circular system in which there is no beginning or end. You can choose to do audio feedback or CV but you are encouraged to try both.  You are not limited to a singular feedback patch and could create an entire feedback network.

To get you inspired, one of the more popular feedback patches is the Krell patch.  This diagram illustrates the Krell patch in a very basic form.  The EOC from a looping AD triggers a random module, random voltages are sent back to both the attack and decay time of the AD.  This creates your main feedback loop.

The Challenge

Create a feedback patch using no less than 3 modules.  Feel free to extend this using several more modules or multiple feedback patches. You are not restricted from using other gear, but modular synths must be used.  

HOW TO PLAY

THIS PATCHABLE RUNS FROM NOV 9TH – NOV 22ND

  1. Create an original piece of music following the above challenge.
  2. Include the suffix PATCHABLE-0006 in the track title.  A completed track title would look like this: Spiral Vortex PATCHABLE-0006.
  3. Upload your track to soundcloud by end of day, Friday November 22nd.
  4. Include a link to your track and patch notes in the comments below.
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vcloki

Track for Patchable – 0006 for NYMS — Feedback. https://soundcloud.com/vcloki/thundersnow-patchable-0006 Patch notes: I don’t even know how I can explain this without writing a book. Everything in this patch, with the exception of the JOVE is feedbacked (is this even a word?)into something else. For instance: EON 1 is fed from EON 2. JOVE is fed into the feedback in on DubJR delay, and feedback out is put into the JOVE input. The EON envelopes are multed 5 times apiece, to control various cv inupts. The Pittsburgh Envelope is multed 3 times, and is also the main clock source for… Read more »

chris

https://soundcloud.com/beaver-crossing/xylophone-playing-a-xylophone-patchable-0006 Morphagene -> QPAS -> Mimeophon -> Morphagene This patch uses a single splice from a Morphagene reel I created by sampling an antique xylophone I have. The Morphagene is patched both to the QPAS with the LP filter from the QPAS to the Mimeophone and then one stereo out back to the morphagene with the other out to the recording. The Mimeophone is toggled off and on of hold mode by the Morphagene end of slice and is set to a longer zone. These two things prevent the feedback from creating a tone. The attenuation is changed throughout the… Read more »

crewcalledself

https://soundcloud.com/crewcalledself/nyms-patchable-6

Little nerd clock triggering Arpitecht sending 1v/oct to rise/fall of Maths ch 1 on cycle, Maths EOR into Forbidden Planet LP Self resonating with FM by Arpitecht 1v/oct then sent to Mimeophon with Zone, Rate, and Color getting CV from Arpitecht 1v/oct

bugchaser

OSC – STO -> tri modulating MATHS rise (ch. 2), sin sync with OSC 2 (INSTRUO TS-L) – INSTRUO TS-L -> pulse and sub tri -> OPTOMIX ch. 1 LPG/VCA – OPTOMIX -> ch. 1 -> ECHOPHON, “all” -> 4ms DLD MATHS – ch. 1 -> unity -> OPTOMIX ch. 2 ctrl & QPAS q cv, “1” -> fall ch. 2 – ch. 2 -> unity -> ECHOPHON mix & OPTOMIX ch. 1 ctrl, “3” neg attn -> STO exo WOGGLEBUG (main clock to speed) – stepped -> QPAS Freq 1 cv – smooth -> INSTRUO pulse cv & MATHS… Read more »

mrwilliam

Not sure if this is what you had in mind for a feedback patch but here it is anyway lol https://soundcloud.com/w-y-543363470/w-y-frogs-patchable-0006 My patch notes: What you’re hearing is the outputs of the oscillator 1 and 4 of the Dreadbox Antiphon. Using stackable cables i split the outputs. Oscillator 1 into oscillator 2 cv FMing oscillator 2 which is FMing oscillator 3 which is FMing oscillator 4. The split off audio signals from oscillators 1 and 4 are going to a Doepfer quad VCA/mixer. The output of that is also being split with a stackable cable. One is going back into… Read more »

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